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View from Stalheim
''View from Stalheim'' ((ノルウェー語:Fra Stalheim)) is an 1842 oil painting by J. C. Dahl of the mountainous view from Stalheim, Voss, Hordaland. It is a major work of Romantic nationalism and has become a national icon. It is regarded as one of Dahl's best works.
==Description==
The painting shows the view from the peak at Stalheim over the Nærøy Valley towards the sugar-loaf shaped peak of Jordalsnuten〔("Stalheim" ), ''Store norske leksikon'', 14 February 2009, retrieved 23 October 2014 .〕〔''The Making of a Land: Geology of Norway'', ed. Ivar B. Ramberg ''et al''., Trondheim: Norsk Geologisk Forening, 2008, ISBN 9788292394427, (p. 111 ).〕 in late afternoon sunshine, framed by peaks and a rainbow. The sun shines on a small village near the centre. Dahl has clearly delineated figures and buildings even in the distance, creating "a world in miniature".〔Torsten Gunnarsson, tr. Nancy Adler, ''Nordic Landscape Painting in the Nineteenth Century'', New Haven, Connecticut: Yale University, 1998, ISBN 9780300070415, pp. 90–94.〕 One of his purposes was realism; the other was to capture the glory and magnificence of the mountains, and associated with that, of his country's culture.〔〔Susanne Wittekind, "Natur, Volk und Geschichte. Die künstlerische Konstruktion Norwegens in der Landschaftsmalerei Johan Christian Claussen Dahls (1788–1857)", in ''Die Lesbarkeit der Romantik: Material, Medium, Diskurs'', ed. Erich Kleinschmidt, Berlin: de Gruyter, 2009, pp. 309–35, p. 328 .〕〔Ronald G. Popperwell, ''Norway'', Nations of the modern world, New York: Prager, 1972, , (p. 51 ).〕 In this evocation of grandeur the painting prefigures later US landscapes, in particular Church's ''Rainy Season in the Tropics'' (1866), which has a similar crowning rainbow.〔〔Arne Neset, ''Arcadian Waters and Wanton Seas: The Iconology of Waterscapes in Nineteenth-Century Transatlantic Culture'', American University Studies Series XIX,, General Literature, 36, New York: Lang, 2009, ISBN 978-1433102974, (p. 58 ).〕 The rainbow itself, a symbol of reconciliation, peace, and in Christianity of God's grace,〔Åshild Brenne, ("Historiske linjer" ), Nye Meninger, ''Dagsavisen'', 24 December 2010 .〕 was also frequently used by Joseph Anton Koch and by Dahl's friend and associate Caspar David Friedrich.〔Wittekind, p. 326.〕
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